Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. And suddenly it came to her that this was her Garden of Gethsemane; and a dull laugh broke from her that she could not help. It was such a ridiculous apology for Gethsemane. There was not a corner in which one could possibly pray. Only these two iron seats, one each side of the gaunt gas lamp that glared down upon them. Even the withered shrubs were fenced off behind a railing. A ragged figure sprawled upon the bench opposite to her. It snored gently, and its breath came laden with the odour of cheap whisky.!

There was something about the poor, foolish painted face, as it looked up pleadingly, that gave it a momentary touch of beauty. Joan felt her knees trembling. A cold, creeping fear was taking possession of her. Why, she could not understand. She must have been mistaken. People don’t make-up their tongues. It must have been the lips. And even if not—if the woman had licked the brush! It was a silly trick people do. Perhaps she liked the taste. She pulled herself together and tapped at the door.

The little drummer in her brain would creep out of his corner, play to her softly while she moved about among them. In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. It was a summer’s evening; Joan had dropped in at the Greysons and had found Mary alone, Francis not having yet returned from a bachelor dinner at his uncle’s, who was some big pot in the Navy. They sat in the twilight, facing the open French windows, through which one caught a glimpse of the park. A great stillness seemed to be around them.